I apologise for the elapsed time since my last post – I’ve been busy learning guitar and catching up with old friends. In addition I switched from one kwela arrangement project (that proved a bit too complicated at the time) to another that I am presenting here…
A couple of posts back in ‘Rare Willard Cele Recordings‘ we encountered on of the earliest recorded kwela pennywhistlers: Willard Celes. I was particularly intrigued by the similarity between these recordings, and traditional USA jazz/blues played on the clarinet. It would be great to find out how Willard came to sound like this. Here we have a 12 bar blues structure that I’ve not seen in kwela recordings anywhere else. Since the 12 bar blues is pretty much universally understood, you might be able to find some other willing musicians with which to play. If you play a Bb whistle, then a capo of the first fret will enable a guitarist to play in the very blues-friendly key of A.
This arrangement is based upon the first 48 bars, which I’ve adapted for pennywhistle. The recording seems to be in the key of G! Yet more evidence that kwela pennywhistlers were getting low whistles from somewhere.
Pennywhistle Boogie whistle part, played by Willard Cele
Skokiaan is a significant instrumental that was composed, performed and recorded originally in South Africa’s neighbour, Zimbabwe. We’ve already seen that the influence of kwela has been felt in this country, and although Skokiaan is described as tsaba-tsaba, it shares a common ancestor with kwela: marabi.
The instrumental was later recorded by Gallotone (which, perhaps, lead to the confusion as to whether it was a South African-composed tune or not) and released in the USA by London Records. It met with considerable success and has been recorded by loads and loads of artists since, practically right up to the present day.
It wasn’t until I discovered the learning2share blog a couple of weeks back for the Willard Cele kwela project post that I had a chance to really hear Skokiaan, and I thought that it would be a great idea to have a go at arranging the melody for whistle in the kwela style.
Just about everything that is currently known about Skokiaan can be found on the Skokiaan Wikipedia page, so take a look there and then come back to learn how to play some of it!
The arrangement I’ve made can be played on a Bb whistle and will sound in tune (more or less) with the Bulawayo Sweet Rhythms Band recording on learning2share. You’ve got the introduction and first 24 bars; after that you’re on your own :-)
Skokiaan melody, maybe originally played by August Musarurwa.