In addition to being the film that really propelled a young Miriam Makeba onto the world stage, Come Back Africa includes a street scene of young kwela buskers – a scene rarely captured on film. In it we see six pennywhistlers and one guitarist improvising around an eight-bar motif that is close to the key of G:

G G C D
G G C D
G G C C
D D G G

Although not in syncronisation with the sound, we can see the guitarist play chords C (0:45, 1:10), D (0:46, 1:11) and G (0:47, 1:13) on what is probably a standard-tuning, commercial (not home-made) guitar with no capo. In contrast with the animated dancing of the musicians, the mixed audience (including some in official uniform) watch, from a small distance, with reserved, middle-class approval. There doesn’t seem to be any financial transaction in the scene – no hat to collect money. Perhaps this is because the scene is being filmed, or perhaps the custom is to donate to the buskers at the end of the tune. The scene appears to be taken close to a grand civic or religious building in downtown Johannesburg. An electric tram passes in the background. Can you help to fill in the missing details? Who are the musicians and where are they playing in Johannesburg?

Big Voice Jack Lerole, kwela performer from Alexandra Township, Johannesburg, South Africa

Aaron “Big Voice Jack” Lerole was one of the most influential kwela stars and, in a revival of his popularity that is described in Keith Addison’s 1998 article ‘Return of the Big Voice‘, must have been one of the last of the originators to still be recording.

The story of how Big Voice Jack ended up in 1998 playing with the Dave Matthews Band in the Giants Stadium in New Jersey USA and the Foxboro Stadium in Massachusetts, is captured in Jonathan Dorfman’s 50 minute documentary “Back to Alexandra”. This can currently be found in six sub-10 minute parts on YouTube: This can currently be found (but is likely to disappear without warning) in a single 50 minute clip on YouTube (ignore the first 10s or so):

The legacy links below are broken (for now) – sorry.

Part 1 of 6

In which we meet Jack and members of his old band, Black Mambazo, talking about the Old Days; we hear Jack interviewed by ALX FM about his trip to the USA with the Dave Matthews Band; we see Jack’s journey from SA to the USA (three months earlier).

Part 2 of 6

In which we watch Jack, Dave, Leroi and the rest of the band prepare for the performance; we watch the band’s dramatic arrival at the stadium on show-day; Dave explains how the link-up with Jack began.

Part 3 of 6

In which we see Dave teaching Jack “One Sweet World”; we see Jack in action on the stage; then a flashback to Jack and the Shukumo Mambazo Allstars at the Bassline, whilst Jack reminisces about life in the Dark City.

Part 4 of 6

In which Jack explores New York and thinks about how long it’s taken to get this far; we’re taken back to the rehearsal at the Giants Stadium where Jack’s “Back to Alexandra” is added to the set list.

Part 5 of 6

In which we watch “Back to Alexandra” performed, including Jack’s signature two-whistle playing; then, one year later we see Jack leaving his home in Diepkloof, Soweto (where he was forcibly relocated in 1959), to rehearse with his band Shukuma Mambazo and teach children at Diepkloof Hall (community centre).

Part 6 of 6

In which we watch a rehearsal of Shukuma Mambazo, a kwela lesson with children and a kwela street procession in Diepkloof.

You can find out more about the extraordinary life of Big Voice Jack on the following web pages:

• Kwela Jake
• Sold into slavery
• Finding Tom Hark
• Brother Jake
• Obituary: ‘Big Voice’ Jack Lerole

Buskaid plays mainly classical music, with a fusion of classic pop and kwela.

You can find out more about Buskaid in the Kwela Project’s post “Unite with the Buskaid Soweto String Ensemble“.