The Voice of America web site is running a very interesting African Music blog – well worth checking out.
Matthew LaVoie has written a fascinating post entitled Musical Sunshine from Malawi which outlines how the Kachamba brothers, Daniel and Donald, discovered kwela to the city that is now Harare, but was then called Salisbury, and bought it back to Malawi (the Nyasaland) in 1961.
Best of all, this blog is full of example recordings by the featured artists, and the Kachamba Brothers are no exception. There are two kwelas to listen to: ‘Malawi Moto’ and ‘Malawi Cha-cha-cha’. I like the frantic tempo and vocals (which seem rare in kwela – the musicians usually preferring to play whistle) – I hope you enjoy these recordings too!
Back in June there was a blip in the visitor stats that was the result of a link to the Kwela Project from a post in the Banjoroots Yahoo group. The post was about Africa-American single-stringed instruments, and as well as mentioning the renowned ethnomusicologist Gerhard Kubik (who happens to play clarinet in Donald Kachamba‘s Kwela Heritage Jazz Band), it talks of the babatoni – South African washtub (well, more accurately, tea-chest) bass. Babatoni, aka Kwela Bass, is just one instance of a vast, worldwide class of single-string bass instruments. So now, when you listen to kwela – listen to what is happening in the bottom-end, far from the wailing pennywhistle. Maybe that’s a babatoni you’re hearing!