Following on from my last post about the Kachamba Brothers, I decided to try and find out more.
First of all, I found some interesting photographs of Donald and ‘friends’ jamming together. These pictures were taken by Rike and Henrik Bettermann when they visited Chileka in Malawi as part of their 1996/97 tour of West and South Africa. One of the pictures is the same as the babatoni picture in an earlier post about babatoni – the kwela bass. A linked page contains a biography for Donald Kachamba, and notes that he died on 12 January 2001.
Shortly before Donald died, he was an artist-in-residence (November 1999 until July 2000) at UCLA’s Department of Ethnomusicology. Christie Burns (a.k.a Dulcimergirl) was one of the students that worked with Donald during this time, and she presents some of her memories, and a great recording of the students and Donald together, in her music blog.
You can get hold of the UCLA course material through the Kwela Project Store; a song/essays book, and a CD recording (including the tune in Christie’s blog). I’ll review my copies here, just as soon as they arrive from Amazon.
The Voice of America web site is running a very interesting African Music blog – well worth checking out.
Matthew LaVoie has written a fascinating post entitled Musical Sunshine from Malawi which outlines how the Kachamba brothers, Daniel and Donald, discovered kwela to the city that is now Harare, but was then called Salisbury, and bought it back to Malawi (the Nyasaland) in 1961.
The post goes on to explain the role that Austrian ethnomusicologist Gerhard Kubik played in promoting the brother’s music abroad under the moniker of Donald Kachamba’s Kwela Heritage Jazz Band, in which he played clarinet.
Best of all, this blog is full of example recordings by the featured artists, and the Kachamba Brothers are no exception. There are two kwelas to listen to: ‘Malawi Moto’ and ‘Malawi Cha-cha-cha’. I like the frantic tempo and vocals (which seem rare in kwela – the musicians usually preferring to play whistle) – I hope you enjoy these recordings too!
Back in June there was a blip in the visitor stats that was the result of a link to the Kwela Project from a post in the Banjoroots Yahoo group. The post was about Africa-American single-stringed instruments, and as well as mentioning the renowned ethnomusicologist Gerhard Kubik (who happens to play clarinet in Donald Kachamba‘s Kwela Heritage Jazz Band), it talks of the babatoni – South African washtub (well, more accurately, tea-chest) bass. Babatoni, aka Kwela Bass, is just one instance of a vast, worldwide class of single-string bass instruments. So now, when you listen to kwela – listen to what is happening in the bottom-end, far from the wailing pennywhistle. Maybe that’s a babatoni you’re hearing!