Some time ago, after waiting patiently for a long time, I came across an old VHS recording of the film that is alleged to have, specifically, propelled the pennywhistle boogie of Willard Cele into the limelight, and to have, more generally, opened the ears of the South African mainstream to kwela. For me there are two and a half most-memorable sequences within the film which feature kwela and street-music, and I’m pleased to be able to present them in finest digital form(!)
The first clip is from the opening of the film, which features an extended Willard Cele solo over which the narrator sets the scene for the rest of the story.
The second clip is a short sequence that shows Willard playing his pennywhistle with the characteristic, sideways kwela embouchure that results in a fatter, and slightly flattenened, tone.
Finally, my favourite sequence, which doesn’t actually include any pennywhistle, is a catchy musical number by unknown (to me) artists, but showing a young Dolly Rathebe dishing out the drinks, some fine ‘mbube’ wailing, and proto-pantsula bandy-leg dance.